Thus it can be seen that, although James Gang are by no exertion of the imagination the greatest rock and roll band ever to walk the face of the earth (outside Cleveland, Ohio), they are capable of some nice little treats every now and again. Peters' other contribution to Thirds, "Dreaming In The Country," is the obligatory shitkicking throwaway, it might be judicious of Walsh, Fox, a concerned roadie, the group's manager, Bill Szyczyk, or the president of ABC Records to throttle him the next time the look in his eyes says, "I gotta new 'riginal!" The rest of the album is just kinda real negligible, albeit listenable, except for bassman Dale Peters' "White Man/Black Man," a real no-two-ways-about-it embarrassment in the form of an overproduced plea for Greater Understanding between the races so that we can all Live Together. Perhaps Pete Townshend, who's reportedly an admirer of both, could introduce King Crimson's lyricist to James Gang. I should mention drummer Jim Fox's "Live My Life Again" because it's the only interesting words on the album (and, debatably, the worst guitar solo). Right after "Walk Away" there's a pleasant supper-club background jazz work-out featuring Jim Fox on vibes (no pun intended) called "Yadig," which for no discernable reason makes the reviewer yearn to say, "James Gang In A Mellow Mood At The Club Relaxez." It's so fucking cute your mind will fall out. Never mind that in several ways it's an unblushing, ahem, ripoff of "Nowhere Man" - can anyone deny that the Hawaiian guitar and background singing are real, real nice? Furthermore, what I personally love most about it is how, after Joe's sung two verses about how he's the midnight man, blah blah, a young lady with a fabulous silky and completely expressionless 1962 voice comes in to sing the third verse to the midnight man, or, in this case, Joe. "Midnight Man," though, is Joe Walsh at his best when all is said and done. And even though Joe is no terrible shakes as a balladeer, his slower tunes "Again" and "It's All The Same" nonetheless emerge slightly enjoyable owing to the pretty horns and pretty acoustic guitar riff they're endowed with, respectively. Valentine's Day Massacre than of their namesakes), is catchy, tuneful, and capable of inducing the uninhibited to perform the funky chicken, skate, hitchhike, or other teenage dance. "Walk Away," for instance (wherein the Gang bang and bash in a manner more reminiscent of the St. It entered the Hot 100 in October and made a modest No.80.Nevertheless, he writes pleasant little tunes that he sings in a pleasant little voice. Perhaps because Thirds had been released only five months earlier, the 45 in question, “Midnight Man,” came from that studio set and not Live In Concert. Studio and live releasesĪ trade advertisement by ABC Records announced not just the live album but the James Gang’s new single. “Released at the height of the Gang’s popularity,” said the Billboard review for that issue, “this Live recording of their recent Carnegie Hall concert includes exciting audience-inspired music.” The magazine singled out “Stop,” “Walk Away”and “Ashes The Rain and I,” observing that “Tend My Garden” and an extended “Lost Woman” were other highlights. That’s where they recorded the show that became Live In Concert, which made its US chart debut on September 11, 1971. Just a month after the release of that studio farewell, Thirds, Walsh was on stage at Carnegie Hall in New York with his band mates Dale Peters and Jim Fox. Three studio albums into Joe Walsh’s work with the James Gang, the guitarist was bound for pastures new – but not before he had made one final appearance on LP with the Cleveland rock heroes.
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